by Sinead Cox | Jan 25, 2022 | Archives, Exhibits, Image highlights
The Huron County Museum’s temporary exhibit Forgotten: People and Portraits of the County features unidentified portraits captured by Huron County photographers. In addition to the onsite exhibit, photos are shared in an online exhibit and Facebook group in hopes that some of these ‘Forgotten’ faces will remembered and named. Curator of Engagement & Dialogue Sinead Cox shares highlights of the exhibit’s remembering efforts so far.
Semi-Weekly Signal, (Goderich) 07-27-1869 pg 2
The Huron County Museum has an incredible collection of photographs in its Archives – especially studio portraits from commercial photographers within Huron County (spanning the county from Senior Studio in Exeter, Zurbrigg in Wingham, and everywhere in between). Not all of these photographs came with identifying information for their subjects, or even known donors or photographers. The Forgotten exhibit has provided an opportunity to delve deeper into the clues that can be present in everything from associated family trees to fashion styles, photographer’s marks, and photography methods that can provide more context, narrow timelines, or even lead to the re-discovery of names. I am especially grateful for the enthusiastic participation we have already had from photo detectives from the public who have contributed to remembering Huron County’s ‘Forgotten’ faces. Hopefully this is just the beginning of adding value to our collection.
Professional studio photographs were often (and still are!) sent as gifts to family and friends. Local photographers saved negatives to sell reprints at a later date, and these negatives were also sometimes inherited when a studio changed hands. It’s very possible your own family photo collection contains the duplicate of a photo that exists in the possession of an archive or a distant relation somewhere else in the world. Finding matches between the faces in those photos is one way to solve photographic mysteries, and why a shared space to upload and comment on photos, like the Forgotten Facebook group, has the potential to put names to faces even after more than a century has passed since the camera flash!
2011.0013.020. Photograph
2017.0013.011. Glass negative
During preparation for the exhibit, staff recognized that a photograph and a glass negative from unrelated donations depicted the same image of a pair of children (their nervous expressions at having their photo taken were difficult to miss). The photo and negative came to the museum from different donors, six years apart. Information provided with the donation of the photograph indicates that these children may be related to the McCarthy and Hussey families of Ashfield Twp and Goderich area; the studio mark for Thos. H. Brophey is also visible on its cardboard mount, dating the image approximately between 1896 and 1904. The matching negative came from a collection related to Edward Norman Lewis, barrister, judge and MP from Goderich. The shared connection between the donations provides one more clue to help identify the unnamed children, and gives the negative meaning and value (through a place, time and potential family connection) it didn’t previously have without the photograph’s added context. You can see both the photograph and the negative on display in the temporary Forgotten exhibit, which is on at the Museum until fall 2022.
2021.0053.006. The “Garniss sisters”: Sarah Ann, Elizabeth, Eliza Maria Ida, Jemima, Mary Lillian. Can you help us identify which sister is which?
Sometimes photographs arrive to the collection with partial identifications or known connections to a certain family, even when individual names are missing. In those cases, knowledge of family histories can help pinpoint who’s who. Members of the Facebook group were recently able to name all five Morris Township women identified as only the “Garniss sisters” on the back of a photo from Brockenshire Studio, Wingham.
A996.001.095
Patterns tend to emerge with access to larger collections from the same location or time period. Although studio photographers later in the 19th century prided themselves on offering a large selection of backdrops, photos from local studios in the 1860s and 1870s often show a more simple set-up. In posting the ‘Forgotten’ photos online, I noticed that the studio space of Goderich photographer D. Campbell can be recognized by the consistent presence of a striped curtain in the background (and more often than not the same tassel-adorned chair) and a distinctive pattern on the floor, as seen in both the photos above and below. This helped identify additional photographs as Campbell’s work, and therefore place them in Goderich circa 1866-1870 , even when a photographer’s mark or name was absent from they physical photo.
A996.001.071. This photograph is labelled as “the Miss Henrys.” Do you have any information that might reveal their first names?
Crowdsourcing information through the online exhibit and group has allowed fresh pairs of eyes to notice detail previously missed in some of the museum’s photos, even when the evidence was captured by the staff doing the scanning and cataloguing work. In November, the Facebook group spotlighted unidentified soldiers, and one of the members pointed out a photographer’s mark embossed on the bottom right corner of a group photo. Staff were able to look at the original photo to get a clearer look to confirm the studio was identified as “G. West & Sons, Godalming.” Godalming is a town in Surrey, England near Witley Commons, which hosted many Canadian soldiers during the First and Second World Wars.
2004.0044.005. Photographer: G. West & Sons, Godalming, Surrey, U.K.
A950.1740.001
The Signal 08-27-1903 pg 8.
Comparing photographs with other readily available local historical resources like Huron’s digitized newspapers can also help provide new insight. Partial identifications on a group photo of young women in theatrical costumes without a location allowed a group member to link it to a 1903 Goderich production of Gilbert & Sullivan’s The Mikado. Further research in the newspapers provided a full list of the names of the participating cast and more information about the production, which toured Huron County. This information is now attached to the photograph’s catalogue record to benefit future researchers.
Although many historical photos may be ‘Forgotten’, if they are preserved and housed they are not lost. They still retain the potential for remembering , and to be re-connected to descendants and communities through extant clues and the growing possibilities of digitization and online sharing. For more highlights from the exhibit and tips for identifying mystery subjects photos or caring for your own collections, join is Feb. 9, 2022 for the second webinar in our exhibit series: Forgotten in the Archives.
If you can help identify a ‘Forgotten’ face, email us at museum@huroncounty.ca!
For more on the Forgotten: People & Portraits of the County exhibit and related coming events:
by Amy Zoethout | Jun 29, 2021 | Blog, Image highlights, Media Releases/Announcements
Livia Picado Swan, Huron County Archives assistant, is working on the Henderson Collection this summer.
Thanks to a grant from the Young Canada Works Heritage Programme, The Digitized Henderson Gallery is getting a new home! The original photographs, digitized by former staff member Emily Beliveau and funded by the Government of Ontario, will be moved to a website that can be continuously edited by museum staff, making it easier to update information about the photos as we learn more about them. We will also be adding upwards of 600 photos to the online gallery that have never been shared before!
A992.0003.281- Commandos at Sky Harbour, 1943
The gallery displays photographs taken by J. Gordon Henderson, a Goderich-based photographer who documented the classes and airmen at some of the Huron County’s Royal Air Force bases. The collection has more than just portraits, however. Throughout the summer, I will be sharing some interesting finds as I go through the 600 photographs that are yet to be digitized and posted to the gallery. Some of the training activities, weddings and celebrations at the bases have been documented, and give us a peek into the experiences of these airmen and their families.
To take a look at the website, visit https://kiosk.huroncounty.ca/exhibits/henderson-digitization-project/ . Keep in mind that the website is still in development and will continue to be updated throughout the summer. I can’t wait to share some interesting photos and stories with you all!
by Sinead Cox | Aug 25, 2020 | Archives, Blog, Exhibits, Image highlights, Investigating Huron County History
In anticipation of the Huron County Museum’s in-development exhibit Forgotten: People & Portraits of the County, volunteer Kevin den Dunnen takes an in-depth look at one of the many studio photographers to work in Huron County, and traces the professional and personal journey of Irene Burgess.
Summer of 1923 “old home week” in Mitchell, Ontario. Irene is the farthest left of the four. Image courtesy of the Stratford-Perth Archives.
Hiding within the Huron County Museum’s online and free-to-use newspaper archives are an unlimited number of stories like the one of Miss Irene Burgess. Irene Burgess was a woman that defied societal norms. In a time where women were rarely given the freedom to pursue a chosen career, Irene managed her own photography studio. While many women were expected to marry and have families, Irene stayed single. She was also faced with many tragedies in her life. Neither of her two siblings lived past 32. Her mother passed away at 51. Her niece nearly died at the age of 6. She lost the photography studio after an explosion. Through all of this, the communities of Perth and Huron Counties rose to support her.
Personal Life
Nettie Irene Burgess was born September 20, 1901, in Mitchell, Ontario. Her parents were Nettie and Walter Burgess. She had two siblings – an older sister named Muriel, born in 1896, and a younger brother named Macklin, born in 1912. Her father, Walter, was a long-time photographer in Mitchell and owner of W.W. Burgess Studio. Growing up around photography gave Irene plenty of exposure to the business. This experience would prove to be important in her adult life.
A brief family tree of the Burgess family. Of note, it only contains the names of family members included in this article.
Excerpt from the November 26, 1925, edition of The Clinton News-Record detailing the passing of Irene’s mother Mrs. Nettie Burgess.
Irene experienced several tragedies throughout her life. By her 43rd birthday, only she and her father survived from their family of five. The first to pass was Irene’s mother, Nettie Helena Burgess, on November 22, 1925, at the age of 51. Irene’s sister, Mrs. D.F. Buck ( née Muriel Burgess) and her 6-year-old daughter Claire had been staying with her parents Walter and Nettie Burgess; Mrs. Buck had been ill for some time. During their stay, Claire became ill with pleuro-pneumonia. On the brink of death for several days, she began to recover with the help of her grandmother, Nettie. While caring for Claire, Nettie contracted pneumonia. Less than six days later, Nettie passed away in the presence of her family and nurse. 6-year-old Claire would live for another 75 years thanks to the care of her grandmother.
The next member of Irene’s family to pass would be her sister Muriel. Muriel was married to D.F. Buck, a photographer from Seaforth. They had three children, a daughter named Claire, and two sons named Craig and Keith. On March 24, 1926, an update in the Mitchell Advocate indicated that Irene would be visiting her sister, Mrs. D.F. Buck, at the Byron Sanitorium. According to the update, Mrs. Buck was “progressing favourably” but had been in poor health for some time. Almost fourteen months later on May 12, 1927, The Seaforth News wrote about the death of Mrs. D. F. Buck occurring the past Friday. While not mentioning the cause, the obituary described her as being “in poor health for a considerable period.”
On July 18, 1944, the Clinton News Record posted an obituary for Irene’s brother Macklin Burgess who passed away from a long-time illness at the age of 32. Macklin was in the photography and radio business. He left behind his wife, Elizabeth May, and three children, David, Nancy, and Dixie.
The next of Irene’s family to pass would be her father, Walter Burgess, in 1957 at the age of 82.
An interesting note in the life of Miss Irene Burgess is that she never married. In the Dominion Franchise Act List of Electors, 1935, Irene (age 34) is listed as a spinster (meaning a woman that is unmarried past the age considered typical for marriage). Whenever Irene is referenced in a newspaper, her title is Miss Irene Burgess. Irene would live until 1991.
The Clinton Studio
A notice posted by Walter Burgess in the May 23, 1929, edition of The Clinton News-Record
Walter Burgess operated a Clinton studio throughout the 1920s. The November 26th, 1925 edition of The Clinton News-Record mentions that Walter had only been spending one day a week at his Clinton Studio being “short of help.” A notice posted in The Clinton News-Record on May 23 1929 by Walter Burgess stated that his Clinton studio would only be open “the second and last Tuesdays in each month.” On October 1 of 1931, Walter announced that his newly-renovated Clinton studio would be open every weekday. His daughter, Miss Irene Burgess, would now be in charge of the location. Walter proclaimed Irene as “well experienced in Photography” and having “long experience with her father.” Not long after Irene became manager, Clinton residents would see the name Burgess Studios much more often in their newspapers.
When Irene began managing the Clinton Studio in 1931, advertisements for the business began increasing. The slogan “Photographs of Distinction” appeared in advertisements from 1937 until the week of the fire. These ads were brief, only including the business name, slogan, Irene’s name, and the services provided. Earlier advertisements include one from 1933: “It is your duty to have a good photograph. Your family wants it – business often demands it.” Another example from 1932 reads, “You have plenty of leisure time to get that portrait of [the] family group taken.” The Clinton studio began under the leadership of Walter W. Burgess, but Irene would soon grow the business larger than her father had the time for– that is, until the explosion.
Advertisement posted in the January 26, 1933, edition of The Clinton News-Record.
The Explosion
On the afternoon of Monday, November 24, 1941, an explosion set fire to the second story of the J. E. Hovey Drug Store sweeping the entire business block. This was the place of business for Burgess Studio, Clinton. The fire swept through the building and damaged several businesses including R. H. Johnson Jewelry Store, Charles Lockwood Barber Shop, and Mrs. A MacDonald’s Millinery and Ladies Wear Shop. Irene was not in the studio when the fire started and did not call the authorities. Instead, the fire was discovered by Police Constable Elliot who identified smoke around the second-story window of the J. E. Hovey Drug Store Building. The fire was well covered in local newspapers. Featured on the second page of the Seaforth News more than a week after the incident, it was reported that the fire almost reached the “main business section of the town.” On its front page the week of the accident, The Clinton News-Record described the fire as “one of the most dangerous Clinton firemen have fought for years.” Unfortunately, Irene did not have insurance and was forced to close her business in Clinton. An update written on November 27, 1941 in The Clinton News-Record mentioned Irene’s departure for Mitchell to stay with her father for an “indefinite time.” A week later, on December 4, 1941, Irene posted a notice in the News-Record reading that, “owing to the recent fire damaging my equipment and Studio, I will be unable to continue operation.” She suggested that customers could mail their orders to the new studio. Additionally, customers could drive to her father’s studio in Mitchell and have their travel expenses paid. While this time must have been devastating for Irene, the community came together to show their support for her.
Community Support
Excerpt from the December 12, 1941, edition of the Huron Expositor describing an even held in Irene Burgess’ honour.
Two weeks after the explosion, the Mitchell Advocate reported about an event held at the I.O.O.F. Hall where Irene was the “honoured guest.” The event was planned by Irene’s friends Mrs. Dalton Davidson, Mrs. Earl Brown, Mrs. Harold Stoneman, and Miss Florence Paulen. Entertainment included skits, piano music by Mrs. A. Whitney, cards, and a “bountiful lunch.” Irene received a “purse of money” and personal gifts from her friends along with their condolences. The rallying support for Irene shows the positive impact she had in the communities of Clinton, Seaforth, and Mitchell. An uplifting end to an otherwise sad story.
Conclusion
Aside from her brother’s passing in 1944, Miss Irene Burgess was seemingly never mentioned again in the Huron County Newspapers accessible through the digital newspaper portal. She would live until 1991 in St. Marys, Ontario.
Huron County’s digitized newspaper collection is a vast historical database where you can find historical stories from our own county. While performing research for the upcoming exhibit “Forgotten: People & Portraits of the County,” I came across this story which piqued my interest. Without access to the digitized newspaper collection, the story of Irene’s remarkable journey would never have been found. This post was compiled using newspaper articles between the years of 1925 and 1944. Birth and death dates were found within newspapers and using external resources.
If you have a photograph by a Huron County photographer you would like to donate or share, please contact the Museum’s archivist by calling 519-524-2686, ext. 2201 or email mmolnar@huroncounty.ca. To learn more about the Huron County Archives & Reading Room, visit: https://www.huroncountymuseum.ca/huron-county-archives/
A950.1857.001 A photograph taken by Burgess Studio Mitchell in 1914. If you have a photograph from Burgess’ Studio, Clinton you would like to donate, please consider contacting the Huron County Museum.
by Elizabeth French-Gibson | Oct 31, 2014 | Artefacts, Image highlights, Special Events, Uncategorized
By Emily Beliveau, Digital Project Assistant
This year, our museum pumpkin is inspired by the History Hall funeral parlour display — it’s a jack-o’-lantern hearse, complete with casket and occupant. The styling was based on a horse-drawn hearse on display at the museum, a late-1800s model that was used in Dungannon, as shown in the photo below.
Horse-drawn hearse with Robert Bowers, driver, (left) and William Sproul, undertaker, (right) in Dungannon, Ont. in the late 1880s. Photograph by J. W. Trussler, Object ID 1950.1459.039. You can see this hearse in person in the History Hall gallery at the Huron County Museum.
by Elizabeth French-Gibson | Mar 21, 2014 | Archives, Collection highlights, Image highlights
By Jenna Leifso, Archivist
G.C. Heath and friend, about 1940-1945. Photo by J. Gordon Henderson. A992.0003.692. Rights: Public Domain
Your training is done and you’re about to go back to the war in Europe or the Pacific but you have to leave behind your new wife or girlfriend in Canada. What do you give her to remember you by? A popular option for those in the Royal Canadian Air Force or the Royal Air Force during WWII was the Sweetheart Pin. Similar in appearance to official badges, but with a slightly more feminine look, Sweetheart Pins came in a variety if shapes, sizes, and colours. Some were even made with semi-precious stones!
Sweetheart Pins were privately purchased by men to give their girlfriends or wives and often indicated their service branch. The woman in the picture is wearing an RAF Sweetheart Pin on her blouse. She most likely received it from her friend in the photograph.
New Zealand, Australia, Canada, and Britain all had their own versions of Sweetheart Pins.
by Elizabeth French-Gibson | Mar 7, 2014 | Image highlights
By Emily Beliveau, Digital Projects Assistant
Working with a photographic collection from a studio photographer means we have access to many instances of two or more shots taken in short succession. In essence, there are hundreds of two-frame movies available to us if we want to make them (and of course we do!) Most of these moving pictures only tell the story of someone fidgeting in front of a camera, but some are better than others. For instance, we can make this air trainee wink at us (click image to animate):
Detail from No. 63 Sky Harbour Class, September 1942. image A993.0003.037l. J. Gordon Henderson, photographer. Rights: Public domain.
Now to be a buzzkill, this fellow was cropped from a Sky Harbour class picture taken in sunny conditions, so he and most of the rest of his classmates were squinting in the sun rather than flirting for the camera. To give you an idea how much movement there is between one take and another, here is the full view (click image to animate):
No. 63 Sky Harbour Class, September 1942, image A993.0003.037k+l. J. Gordon Henderson, photographer. Rights: Public domain.
There are dozens and dozens of potential animated GIFs within the Henderson air training photos, so stay tuned for future moving pictures.
