‘Photographs of Distinction’: The Career of Photographer Irene Burgess

‘Photographs of Distinction’: The Career of Photographer Irene Burgess

In anticipation of the Huron County Museum’s in-development exhibit Forgotten: People & Portraits of the County, volunteer Kevin den Dunnen takes an in-depth look at one of the many studio photographers to work in Huron County, and traces the professional and personal journey of Irene Burgess.

Summer of 1923 “old home week” in Mitchell, Ontario. Irene is the farthest left of the four. Image courtesy of the Stratford-Perth Archives.

Hiding within the Huron County Museum’s online and free-to-use newspaper archives are an unlimited number of stories like the one of Miss Irene Burgess. Irene Burgess was a woman that defied societal norms. In a time where women were rarely given the freedom to pursue a chosen career, Irene managed her own photography studio. While many women were expected to marry and have families, Irene stayed single. She was also faced with many tragedies in her life. Neither of her two siblings lived past 32. Her mother passed away at 51. Her niece nearly died at the age of 6. She lost the photography studio after an explosion. Through all of this, the communities of Perth and Huron Counties rose to support her.

Personal Life

Nettie Irene Burgess was born September 20, 1901, in Mitchell, Ontario. Her parents were Nettie and Walter Burgess. She had two siblings – an older sister named Muriel, born in 1896, and a younger brother named Macklin, born in 1912. Her father, Walter, was a long-time photographer in Mitchell and owner of W.W. Burgess Studio. Growing up around photography gave Irene plenty of exposure to the business. This experience would prove to be important in her adult life.

A brief family tree of the Burgess family. Of note, it only contains the names of family members included in this article.

Excerpt from the November 26, 1925, edition of The Clinton News-Record detailing the passing of Irene’s mother Mrs. Nettie Burgess.

Irene experienced several tragedies throughout her life. By her 43rd birthday, only she and her father survived from their family of five. The first to pass was Irene’s mother, Nettie Helena Burgess, on November 22, 1925, at the age of 51. Irene’s sister, Mrs. D.F. Buck ( née Muriel Burgess) and her 6-year-old daughter Claire had been staying with her parents Walter and Nettie Burgess; Mrs. Buck had been ill for some time. During their stay, Claire became ill with pleuro-pneumonia. On the brink of death for several days, she began to recover with the help of her grandmother, Nettie. While caring for Claire, Nettie contracted pneumonia. Less than six days later, Nettie passed away in the presence of her family and nurse. 6-year-old Claire would live for another 75 years thanks to the care of her grandmother.

The next member of Irene’s family to pass would be her sister Muriel. Muriel was married to D.F. Buck, a photographer from Seaforth. They had three children, a daughter named Claire, and two sons named Craig and Keith.  On March 24, 1926, an update in the Mitchell Advocate indicated that Irene would be visiting her sister, Mrs. D.F. Buck, at the Byron Sanitorium. According to the update, Mrs. Buck was “progressing favourably” but had been in poor health for some time. Almost fourteen months later on May 12, 1927, The Seaforth News wrote about the death of Mrs. D. F. Buck occurring the past Friday. While not mentioning the cause, the obituary described her as being “in poor health for a considerable period.”

On July 18, 1944, the Clinton News Record posted an obituary for Irene’s brother Macklin Burgess who passed away from a long-time illness at the age of 32. Macklin was in the photography and radio business. He left behind his wife, Elizabeth May, and three children, David, Nancy, and Dixie.
The next of Irene’s family to pass would be her father, Walter Burgess, in 1957 at the age of 82.

An interesting note in the life of Miss Irene Burgess is that she never married. In the Dominion Franchise Act List of Electors, 1935, Irene (age 34) is listed as a spinster (meaning a woman that is unmarried past the age considered typical for marriage). Whenever Irene is referenced in a newspaper, her title is Miss Irene Burgess. Irene would live until 1991.

The Clinton Studio

A notice posted by Walter Burgess in the May 23, 1929, edition of The Clinton News-Record

Walter Burgess operated a Clinton studio throughout the 1920s. The November 26th, 1925 edition of The Clinton News-Record mentions that Walter had only been spending one day a week at his Clinton Studio being “short of help.” A notice posted in The Clinton News-Record on May 23 1929 by Walter Burgess stated that his Clinton studio would only be open “the second and last Tuesdays in each month.” On October 1 of 1931, Walter announced that his newly-renovated Clinton studio would be open every weekday. His daughter, Miss Irene Burgess, would now be in charge of the location. Walter proclaimed Irene as “well experienced in Photography” and having “long experience with her father.” Not long after Irene became manager, Clinton residents would see the name Burgess Studios much more often in their newspapers.

When Irene began managing the Clinton Studio in 1931, advertisements for the business began increasing. The slogan “Photographs of Distinction” appeared in advertisements from 1937 until the week of the fire. These ads were brief, only including the business name, slogan, Irene’s name, and the services provided. Earlier advertisements include one from 1933: “It is your duty to have a good photograph. Your family wants it – business often demands it.” Another example from 1932 reads, “You have plenty of leisure time to get that portrait of [the] family group taken.” The Clinton studio began under the leadership of Walter W. Burgess, but Irene would soon grow the business larger than her father had the time for– that is, until the explosion.

Advertisement posted in the January 26, 1933, edition of The Clinton News-Record.

The Explosion

On the afternoon of Monday, November 24, 1941, an explosion set fire to the second story of the J. E. Hovey Drug Store sweeping the entire business block. This was the place of business for Burgess Studio, Clinton. The fire swept through the building and damaged several businesses including R. H. Johnson Jewelry Store, Charles Lockwood Barber Shop, and Mrs. A MacDonald’s Millinery and Ladies Wear Shop. Irene was not in the studio when the fire started and did not call the authorities. Instead, the fire was discovered by Police Constable Elliot who identified smoke around the second-story window of the J. E. Hovey Drug Store Building. The fire was well covered in local newspapers. Featured on the second page of the Seaforth News more than a week after the incident, it was reported that the fire almost reached the “main business section of the town.” On its front page the week of the accident, The Clinton News-Record described the fire as “one of the most dangerous Clinton firemen have fought for years.” Unfortunately, Irene did not have insurance and was forced to close her business in Clinton. An update written on November 27, 1941 in The Clinton News-Record mentioned Irene’s departure for Mitchell to stay with her father for an “indefinite time.” A week later, on December 4, 1941, Irene posted a notice in the News-Record reading that, “owing to the recent fire damaging my equipment and Studio, I will be unable to continue operation.” She suggested that customers could mail their orders to the new studio. Additionally, customers could drive to her father’s studio in Mitchell and have their travel expenses paid. While this time must have been devastating for Irene, the community came together to show their support for her.

Community Support

Excerpt from the December 12, 1941, edition of the Huron Expositor describing an even held in Irene Burgess’ honour.

Two weeks after the explosion, the Mitchell Advocate reported about an event held at the I.O.O.F. Hall where Irene was the “honoured guest.” The event was planned by Irene’s friends Mrs. Dalton Davidson, Mrs. Earl Brown, Mrs. Harold Stoneman, and Miss Florence Paulen. Entertainment included skits, piano music by Mrs. A. Whitney, cards, and a “bountiful lunch.” Irene received a “purse of money” and personal gifts from her friends along with their condolences. The rallying support for Irene shows the positive impact she had in the communities of Clinton, Seaforth, and Mitchell. An uplifting end to an otherwise sad story.

Conclusion

Aside from her brother’s passing in 1944, Miss Irene Burgess was seemingly never mentioned again in the Huron County Newspapers accessible through the digital newspaper portal. She would live until 1991 in St. Marys, Ontario.

Huron County’s digitized newspaper collection is a vast historical database where you can find historical stories from our own county. While performing research for the upcoming exhibit “Forgotten: People & Portraits of the County,” I came across this story which piqued my interest. Without access to the digitized newspaper collection, the story of Irene’s remarkable journey would never have been found. This post was compiled using newspaper articles between the years of 1925 and 1944. Birth and death dates were found within newspapers and using external resources.

If you have a photograph by a Huron County photographer you would like to donate or share, please contact the Museum’s archivist by calling 519-524-2686, ext. 2201 or email mmolnar@huroncounty.ca. To learn more about the Huron County Archives & Reading Room, visit: https://www.huroncountymuseum.ca/huron-county-archives/

A950.1857.001 A photograph taken by Burgess Studio Mitchell in 1914. If you have a photograph from Burgess’ Studio, Clinton you would like to donate, please consider contacting the Huron County Museum.

 

The Gathering Place Part 3: Interviews with Museum Staff

The Gathering Place Part 3: Interviews with Museum Staff

Over the course of the past several months that I’ve spent photographing artifacts at the museum, I’ve been lucky to get the perspectives of several different Huron County Museum staff members to see how they encounter objects and their narratives. Below are a selection of responses from interviews with Curator Elizabeth French-Gibson, Archivist Jenna Leifso, Registrar Patti Lamb, and Museum Technician Heidi Zoethout.

Do you have a favourite artifact/archival document at the museum (either on display or in storage)? If so, could you describe why?

Jenna Leifso (Archivist): I really enjoy the photograph collection and couldn’t pick just one photo because every time I catalogue a new collection or look through the photos I find something that delights me. The facial expressions, the clothes, and the hair are all really incredible.

Elizabeth French-Gibson (Curator): My favourite artifacts are the textiles, primarily the clothing. I look at each piece and wonder about the person who wore it – why did they have it & why did they save it? I am curious to know what other clothes they had and wore out, had and ruined or simply had and didn’t think were significant enough to save. We have many pieces in the collection that are the fancy dress, wedding attire, baby clothing, etc. that are beautiful and special but what about the everyday? What did they chose to simply wear and what to wear out?

Patti Lamb (Registrar): So many of our artifacts tell really cool stories, it’s hard to pick out just one. But my favourite artifact has to be Tiger Dunlop’s silver cup with the gold sovereign in it. We just received it a few months ago. It is so incredible to me to be able to hold in my hands the same silver cup that Tiger Dunlop drank from…someone that was so significant politically to Goderich, the county, our county and the world. The cup was willed to his sister in his quirky will.

Beaded necklace: 1957.10.3. Photo from Huron County Museum’s catalogue.

Heidi Zoethout (Museum Technician): I have a few favourites, right now the top of the list is the carved beaded necklace. The detail in the larger beads is amazing. I did not realize that some beads are carved fruit pits. Something that is normally discarded that can be made into something so beautiful.

Close-up of carved bead.

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What is your perception of artifacts? What place and value do you think they have in society to-day?

Jenna Leifso (Archivist): I think I may have a different perception of artifacts than most people. Growing up, my family always went to museums and historical villages. I think it’s cool to see how we have evolved and how we are always trying to constantly improve.

Elizabeth French-Gibson (Curator): I think that artifacts provide us with a tangible connection with the past. It is necessary to have all types of artifacts available to the public in order to have a better view of the past. It would be easy to change the story, or overlook the mundane if the true pieces were not there. Each artifact has the ability to tell a story but the storyteller must be open to what it is truly saying.

Patti Lamb (Registrar): The artifacts create ties with the past and gives history a visual component. In such a disposable world in which we live, I think it’s important to be able to physically see and possibly touch items from the past.

Heidi Zoethout (Museum Technician): Some people look at an artifact and imagine who would have used it and create a scene in their mind. When I am working with an artifact, I think about the work and thought that went into its creation. Some designs have not changed much over time while others can be seen evolving through the collection we have.Through artifacts we are able to see how our thoughts and values have changed over time as a society and where they have not. It is a common refrain when staff are moving large objects that “they don’t make them like that anymore”. From the materials used, the amount of material used and the details that have gone into producing the product. An example of this is a bicycle that I was preparing for exhibit. It had many grease fittings which we no longer require on bicycles and the rims were made from wood. The wood had been lacquered and pin striping had been applied. When I finished working with the bicycle I came to appreciate it as work of art rather than a mode of transportation.

What would your dream project be? (e.g curating a certain type of exhibition, working with a certain set of artifacts, researching a particular area, etc.)

Jenna Leifso (Archivist): One of my dream projects would be exploring how Huron County residents acquired their clothes. I think there is a misconception that rural citizens were out of fashion and that everything was homemade, drab and boring. It would be interesting to have an exhibit that looks at the clothing factories that used to be here, mail order catalogues like Eatons and Simpsons, and how residents were influenced by fashions overseas. I would use photographs, newspaper advertisements, local directories, maps, correspondence, diary entries, and of course, clothes that are in the collection to research and create this exhibit.
Elizabeth French-Gibson (Curator): I would like to be able to spend more time on research for the Gaol. I think there are resources out there that we have not found yet and the resources that we have that have not been given the focus yet. It would be interesting for me to be able to learn more about the circumstances and lives of the people who spent time in our Gaol, as well as the functions and habits of the Gaol itself.

Patti Lamb (Registrar): My dream project would be anything related to glass or to be able to spend a greater amount of time on the Huron Pottery exhibit and the archeological collection.

Heidi Zoethout (Museum Technician): Currently my dream project would be organizing offsite storage so we could have tours available to the public. There are many details and much work required to make that possible.

Overall, throughout this project one of the most valuable experiences has been hearing the varying perspectives on museums, exhibit design, and artifacts, from such a knowledgeable and unique staff. The differing responses speak to how each of us experiences artifacts and their narratives differently according to our own lived experiences.

The artistic exhibition of photographs taken during this project will be on display in St. Catharines at the Marilyn I. Walker School of Fine and Performing Arts from April 11th – May 5th with an opening reception to be held on April 13th from 5-7pm.